The Danish Girl pretty much lives up to expectations: it is a beautifully shot (by Danny Cohen, a Hooper stalwart), leisurely in pace, carefully directed and is as much to do with art, the senses and a remarkable love story as it is with the transgender issue. Eddie Redmayne is strong if a little theatrical at times, there is good support from Matthias Schoenaerts and Ben Whishaw in particular, but the film undoubtedly belongs to Alicia Vikander in a striking and luminous performance that engages throughout with its nuance and credibility. There are emotional short-cuts that jar in the second half, but overall the film is sincere, thoughtful and addresses some of the prejudices that still exist.
Showing posts with label The Danish Girl. Show all posts
Showing posts with label The Danish Girl. Show all posts
Saturday, 2 January 2016
FILM: The Danish Girl (dir: Tom Hooper, 2016)
"Not everything is about you."
The Danish Girl pretty much lives up to expectations: it is a beautifully shot (by Danny Cohen, a Hooper stalwart), leisurely in pace, carefully directed and is as much to do with art, the senses and a remarkable love story as it is with the transgender issue. Eddie Redmayne is strong if a little theatrical at times, there is good support from Matthias Schoenaerts and Ben Whishaw in particular, but the film undoubtedly belongs to Alicia Vikander in a striking and luminous performance that engages throughout with its nuance and credibility. There are emotional short-cuts that jar in the second half, but overall the film is sincere, thoughtful and addresses some of the prejudices that still exist.
The Danish Girl pretty much lives up to expectations: it is a beautifully shot (by Danny Cohen, a Hooper stalwart), leisurely in pace, carefully directed and is as much to do with art, the senses and a remarkable love story as it is with the transgender issue. Eddie Redmayne is strong if a little theatrical at times, there is good support from Matthias Schoenaerts and Ben Whishaw in particular, but the film undoubtedly belongs to Alicia Vikander in a striking and luminous performance that engages throughout with its nuance and credibility. There are emotional short-cuts that jar in the second half, but overall the film is sincere, thoughtful and addresses some of the prejudices that still exist.
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